历史，是被误解最多的真相。读历史的基本信条，就是学会怀疑、挑战现成的答案。我们给你看历史的另一面，不是为了回答你的问题，而是给你一个思考的机会。

让我们一起来重温童年、分享乐乐虎和点点虎一家的生活趣事吧！

In 1914, the suffragette Mary Richardson attacked the Rokeby Venus at the National Gallery in London. But why did this painting fire such outrage? Professor Bettany Hughes embarks on a voyage of discovery to reveal the truth behind the Venus depicted in the painting, proving that this mythological figure is so much more than just an excuse for sensual nudity and chocolate-box romance. Because Venus Uncovered is the remarkable story of one of antiquity's most potent forces. And more than that - hers is the story of human desire, and how desire transforms who we are and how we behave. 　　Charting Venus's origins in powerful ancient deities, Bettany demonstrates that Venus is far more complex than first meets the eye. Beginning in Cyprus, the goddess's mythical birthplace, Bettany decodes Venus's relationship to the Greek goddess Aphrodite, and, in turn, Aphrodite's mixed-up origins both as a Cypriot spirit of fertility and procreation - but also, as a descendant of the prehistoric war goddesses of the Near and Middle East, Ishtar, Inanna and Astarte. We start to see the Venus is about desire of all kinds - malign as well as benign. Hughes meets world experts who reveal the mysterious and obscure ways this ancient goddess was imagined and worshipped (including as a bearded, gender-fluid woman and even as a giant, sinister, volcanic rock), and visits the sites where the real women and men of the Bronze Age adored her as 'greater than a god' - a creature who gave all and took all away. Bettany - who has been investigating Aphrodite for over a decade - looks into the goddess's own love life to see that - even for her - tangling with another was often bittersweet. We hear the heartfelt, 2,600-year-old poems of Aphrodite's acolyte, the female poet Sappho - begging the question, does passion always generate both pain and pleasure? 　　A far cry from the soft, nude female form we are now accustomed to, we see the war-like, martially-clad Venus worshipped in Rome by Julius Caesar and emulated by the Egyptian queen Cleopatra. Down the generations, Venus has been a constantly evolving figure. She is genuinely immortal - a goddess who refuses to lie down and die. From Stone Age Mediterranean cultures to an 18th-century, Venus-themed British stately home - frequented by high-ranking politicians and aristocrats - Venus represents the power of lust, and of hate as well as love. 　　Through ancient art, evocative myth, exciting archaeological revelations and philosophical explorations Bettany reveals how this immortal goddess endures through to the 21st century, and what her story and journey through time reveals about what matters to us as humans. Uncovering Venus - she shows us why we still need to care about this primordial companion on the human journey - and how we trivialise her power at our peril.

四位朋友前往得克萨斯州的乡村，到他们已故叔叔的农场去度假，不知道那里被一个邪恶的邪教所占据。

Ancient Worlds is about people and places, politics and economics, art and war, trade and technology, but above all it’s the story of the painful birth and difficult growth of a radical idea first tried and tested some six thousand years ago, and which we are still struggling with today; civilisation. Civilisation has not come easily; it’s something we’ve had to fight hard to achieve, and even harder to maintain, and the greatest threats to it have come from our own talents for destruction. But when we’ve managed to get it right, the benefits have been enormous. 　　When we talk about the ancient world we tend to think of rare and exotic artefacts or the monumental remains of epic architecture; but these are just the empty shells that got left behind when the tide of history turned! The living creatures, the civilisations, that once inhabited these shells were rarely if ever static or stately; they were dynamic, chaotic, and always threatening to spin out of control, because civilisation is based on an improbable idea; that strangers can live and work together in dense urban settings, forging new allegiances that replace the natural ties of family, clan or tribe. It’s an idea we’re still coming to terms with today, but one of the best ways to understand the challenges that are involved is to look at how our ancestors tackled them the first time around. 　　From ancient Iraq to Imperial Rome, Ancient Worlds examines how our ancestors struggled with the levers of religion and politics, art and culture, war and diplomacy, technology and trade in order to keep the complex machinery of their civilisations turning over. Their insights and blind-spots, their breakthroughs and dead ends, their triumphs and disasters are the milestones on the long and winding road that leads directly from their ancient to our modern world.

怪物艾比乐乐为了躲避军方的袭击，躲进了一个名叫亚当的小男孩家里。很快，亚当便在车库里发现了它。亚当在学校的图书馆里查探艾比乐乐的相关资料却一无所获。但其实，外人口中凶狠残暴的怪物艾比乐乐一点也不凶恶，反而是个黑乎乎的萌胖子。很快，艾比乐乐和亚当交起了朋友，有了艾比乐乐的特殊能力帮助，亚当度过了一段快乐的时光。然而，军方派来抓捕艾比乐乐的部队也随之而来，他们派兵包围了艾比乐乐和亚当。最终，亚当为了保护艾比乐乐，不惜挡在了艾比乐乐的身前，准备迎接军方的炮火攻击，因为亚当在同艾比乐乐相处的过程中，早已经把艾比乐乐当成了自己最好的朋友。

怪物艾比乐乐为了躲避军方的袭击，躲进了一个名叫亚当的小男孩家里。很快，亚当便在车库里发现了它。亚当在学校的图书馆里查探艾比乐乐的相关资料却一无所获。但其实，外人口中凶狠残暴的怪物艾比乐乐一点也不凶恶，反而是个黑乎乎的萌胖子。很快，艾比乐乐和亚当交起了朋友，有了艾比乐乐的特殊能力帮助，亚当度过了一段快乐的时光。然而，军方派来抓捕艾比乐乐的部队也随之而来，他们派兵包围了艾比乐乐和亚当。最终，亚当为了保护艾比乐乐，不惜挡在了艾比乐乐的身前，准备迎接军方的炮火攻击，因为亚当在同艾比乐乐相处的过程中，早已经把艾比乐乐当成了自己最好的朋友。

乐比和悠悠生活在一个四口之家中。他们的爸爸是一个会陪他们一起玩，给他们解决各种问题的大发明家。他们的妈妈则非常地注重运动与健康，而且爱心十足。他们还有一个调皮捣蛋，爱恶作剧的宠物——小鱼缸BOBO。在这个可爱的世界里，虽然有时吵吵闹闹，但是乐比和悠悠经历了各种各样的事情，生活地非常幸福和快乐。